Sunday, October 2, 2016

Guppy - The film that deserves more due

I write this with the extreme guilt of having watched the pirated copy of this beautiful film. This guilt I feel is a testimony to the film itself. When I watched Guppy's trailer for the first time I knew something different was on offer. I was to watch the film in cinemas, work and laziness had the best of me.

The DVD released a couple of days back and my Facebook wall is full of Guppy posts now. People saying how good it is and regretting not having watched it. I checked if the film is available to rent out on YouTube, sadly it wasn't.  Hence the urge to grab a pirated copy. So I managed to get a 480p version of the film and started watching it. 

The film is starts off with the start of day in Guppy's life, a boy in his teens living with his handicapped mother. Then starts the 'Thira Thira' song, which I liked a lot. The song takes you through the life of the seashore village. Few beautiful aerial shots are the highlight of the song. Guppy earns his livelihood from selling Guppy fishes to people in town, He saves money to buy his mother a new wheel chair. All is well for Guppy when Thejas Varky played by Tovino comes to start the construction of a new railway over-bridge. Guppy and Varky gets into a rift and what follows forms the story of Guppy.

Chethanlal in Guppy

The casting of the film is really good, from Chethanlal, Tovino, Alencier Ley, Sreenivasan, Rohini, Sudheer Karamana. The child actors who played Guppy's friends deserves a mention here. They all were really natural in their scenes. Chetanlal is someone Malayalam Cinema can look forward too in the future. Tovino again through this film reminds us of his presence. I hope he does more such films in the future and finds his rightful place in the industry.

The film has some of the most beautiful frames in recent times. The art team has put in a lot of blood and sweat and it really adds to the beauty of the film. The music is something I really really really loved, from peppy tracks like 'Thira Thira' and 'Gabrielinite' to the soulful and my personal favorite 'Mizhikal Thulumbiyo' sung by Masala Coffee's very own Sooraj Santhosh. The songs have found a place in my favorite track list already. The music director is Vishnu Vijay, who I feel is a debutant. Man what a debut if it is one ! You will go places Vishnu. All the very best brother. 

 
Mizhikal Thulumbiyo - Guppy Song

John Paul George, You are an extremely talented director. Guppy is a testimony to this fact. Wishing you the very best for future films. I am sure people will flock in for your movies to come. 

Next time this team is back with a film, I will be in theater. I have already ordered the DVD version from Amazon. I suggest everyone who feels bad about not watching this film in theatre should buy a copy for themselves. The DVD would just cost you around Rs 130, half of what a 1GB internet pack costs you. Trust me 'Guppy' is a film that deserves to be watched in High Definition.  But if somebody from the team is reading this, next time please have a rental release on Youtube as well.

Friday, September 16, 2016

Nivin Pauly in 'Premam' Kodaikanal breakup scene

Premam is a beautiful film, no doubt. Even more beautiful is the chemistry between Nivin Pauly and Sai Pallavi, adding to it's greatness is the recently released trailer of Telugu 'Premam'.  I happened to watch Premam again on a lazy friday night today. 

Kodaikanal Scene - Premam
Premam has some beautifully shot scenes, but my favorite is definitely the breakup(heartbreak perhaps) scene between George and Malar at Kodaikanal. The beauty of the scene is that it shatters the masculine image of George shown in the first scene of college. The macho George we see in college breaks down into tears when you least expect him to. The long walk back to his bike after Malar fails to remember him along with the soulful background music by Rajesh Murugesan adds to the beauty of this scene. What stands out in the scene is definitely Nivin Pauly, who without a word express his grief.  The same George who has the balls to take on a mob weeps in front of you like a child. The scene is so well acted out that you will feel it's very genuine. 

 
The beautiful BGM of the scene by Rajesh Murugesan

No matter how many times this film is remade, this scene will stand out. I wonder how Naga Chaitanya handles this scene after what we see in the song teaser.

Sunday, August 7, 2016

Character Sketches: Shankar Das - Mammootty in Azhakiya Ravanan

Azhakiya Ravanan Shankar Das Mammootty
Mammootty as Shankardas in Azhakiya Ravanan


I stumbled across this climax scene on Youtube and instantly thought of writing a note. 'Azhakiya Ravanan' is one of my all time favorite Mammootty films. I am a hardcore Mohanlal fan from the time I remember, but there are some roles that could only be essayed to perfection by Mammootty. Shankardas aka Kutty Shankaran is one such role. The gimmicks of a poor turned rich person coming back to his native is hilarious. The situational comedy scenes and Mammootty's acting makes you fall in love with this film. But the strength of this beautiful film is in it's climax. Mammootty gives out a performance that can't be matched and with ease and grace.

 
The climax scene of Azhakiya Ravanan


Shankardas would make it to the top of the list of humor oriented characters he has done ever. This climax scene would also make it to the list of the most emotional scenes he has ever portrayed.

Saturday, July 30, 2016

Don't Demand Respect ! Earn it

What is respect ?. This is what Google defines respect as
a feeling of deep admiration for someone or something elicited by their abilities, qualities, or achievements. 
As a child growing up, I was always told to respect elders. Respect your seniors at school, relatives, and basically anyone born a nano second older than you. This is embedded into every child by parents and relatives. No matter how rude/insensitive someone is, you still have to respect them for they were born elder than you and has more life experience than you. 

Now that I am older and have seen quite a bit of life and people, this forced outlook has changed. Respect is something you earn when you interact with people and doesn't depend on who and what you are. If you read the definition again, you will notice that there is no 'age' criteria there. It is something you earn because of your qualities, the way you interact with people more than your abilities and achievements. 

I have seen two types of respect in people, respect for the sake of respect and the genuine respect. 'Respect for the sake of respect' is the kind of respect you give to people because it is the 'right' thing to do. The other one comes from within, it is genuine and priceless. The way they talk and behaves around you shows it. 

There are people who think they deserve respect because they have done something for you, Be thankful and respectful for that. The point they quote ' I have done so much for you and you should listen to me ' is the point they lose it. They are doing nothing but making you forever in debt to them, just because they helped you. This is not how respect works people !. The choices you make in life are your own, their consequences too.   

You respect everyone you meet new in your life, the way they treat you decides whether respect takes the ladder or takes the plunge. Anyone can earn your respect, a random smile, a random act of kindness. Respect doesn't discriminate, neither rich nor poor, and definitely not racist. Respect should be earned, Not something to be demanded. Treat people right and respect comes to you. 

p.s: Author doesn't claim responsibility for your deeds here after. :)  

Friday, July 29, 2016

Aalayal Thara Venam - Beautiful song from Masala Coffee

Being an admirer of Sooraj Santhosh and Masala Coffee, I couldn't help but fall in love with this beautiful song penned by Kavalam Narayana Panicker and tuned by Masala Coffee. A feeling of nostalgia sweeps you a few seconds into the video, beautifully shot and directed. Visuals do justice to the music and the vocals. Kudos to the whole team behind this one.


This is what they wrote down on the video,
This is for girls who travel the Universe, looking for themselves.
This is for girls who're married to their dreams.
This is for girls who dress up for themselves.
This is for girls whose feet are little wings.
This is for Snow Whites with a tan.
This is for the she-roes.
Above all, this is for you, Kavalam Sir.
Well said Masala Coffee, Repeat ! :)

Monday, March 28, 2016

Virat Kohli - Nothing short of Legendary

Virat Kohli
Virat Kohli is in a class of his own.  He is unparalleled in the world of limited overs cricket at the moment. Virat's 81 not out made sure that India qualified for the World T20 semi final. The way he thrives under pressure, even ABD falls short of him.

I have been a big admirer of Kohli since the time he debuted for India. He was always key in India's success over some of the biggest ICC tournaments. Take the 2011 world Cup final for example,  If it weren't for the partnership between Gambhir and Kohli India would have ended up in a lot of pressure.

Love the way Virat composes his game, he starts slow, builds up his innings steady and at the right moment he shifts to fifth gear. India's chase was going no where till the 17th over as India still needed 39 of 3 overs to cross the line. Virat decided to take on James Faulkner who is a very cunning bowler with his slow cutters. India took 19 runs of the over thanks to Virat's sudden boost of adrenaline. India now needed 20 from 12 balls, This 19th over was classy as Virat punished Coulter-Nile with 4 fours. The Australian fielders were mere spectators and could only stand and watch in admiration. 

The sweetest thing about the win against Australia was that it came exactly an year after Australia mercilessly beat India at the World Cup semi final in Australia, where Virat couldn't step up his game. He scored a mediocre 1 run from 13 balls, which considering Virat standards were quite low. A lot of criticism came through and this was one sweet revenge. It always gives me a sadistic pleasure seeing Australia beaten. 

I might be going overboard here but I have to say this, Virat Kohli is the greatest limited overs cricketer from India. He has proved time and again that he is a champion, because playing and excelling under pressure is a different ball game altogether. Nothing short of legend. Respect.

Tuesday, February 16, 2016

The Price of Shame - Ted Talk on Cyber Bullying and Online Shaming

I have recently made a new habit of watching Ted videos everyday on YouTube, Today I came across a Ted Talk by Monica Lewinsky on ' The Price of Shame'. I have to agree that this is one of the best Ted Talks I've seen and highlights a very serious issue of social embarrassment.


 
The Price of Shame
This is something I've given a lot of thought to, Online shaming is a very serious and unjust form of bullying and it's really brave of Monica to step out and talk of it. More power to you Monica.

Here is the full script of Monica's Ted Talk.

Wednesday, April 9, 2014

The Secret Life of Walter Mitty

Ben Stiller in Secret Life of Walter Mitty

Never knew there was a good director in Ben Stiller untill I watched 'The Secret Life of Walter Mitty' yesterday. One of my friends suggested the film to me and I have been ever since longing to watch the film. Walter Mitty is a negative asset manager at Life magazine, who has to travel the globe to find a missing negative from a world renowned photographer. In the course of the journey he meets new people and confronts life and fulfills his childhood dream of being an explorer.

I will leave the rest for you to experience. A beautiful film nevertheless. Thank you Ben Stiller. The film made me want to go to Greenland, beautiful beautiful place !

Friday, March 14, 2014

Highway - For the traveller/film enthusiast in you

Highway
I had considered skipping Highway as it got released in one of the trashiest cinema's in my place. Lucky for me the film after a few weeks was released yesterday in one of the better cinemas in Trivandrum. 

The film is brilliant in parts, beautifully crafted, shot, tuned and acted. The winner without doubt is Alia Bhatt who enacts a magnificent performance that is never overdone with great ease. Randeep Hooda does justice to 'Mahabir' as a rugged abductor but is easily over-shadowed by Alia's 'Veera'. Anil Mehta's cinematography brings the film to life, A treat to the eyes. AR Rahman's music and background score needless to say is perfectly in blend with the film, visuals and context. The only thing i felt as a con is that the film drags away from context at times.

If you are a rover/explorer, It is highly likely that you will love this film. There are many stunning visuals that takes your breath away. Highway definitely is not everyone's cup of tea. A must watch in my book though. 

Sunday, July 21, 2013

Mariyaan - A Brilliant film in all respects

 
Mariyaan - A Review
Having heard mixed reactions, I was a bit skeptical about watching this film because i chose Mariyaan over Bhaag Milkha Bhaag. I walked out happily having watched one of the best tamil films i had seen in a long time. It is hard to choose a winner here between  Mark Koninckx's Cinematography, Bharat Bala's direction, Dhanush's performance and Rahman's music. But still i feel cinematography is slightly ahead, each and every frame could be made out into a beautiful portrait. If there is something missing from the film it could be the slightly weaker screenplay in the second half, the terrorists could have been more detailed.

Coming to performances, Dhanush again proves the fact that he is in a league of his own when it comes to acting. Though Aadukalam won him the national award for best actor,  I always felt that Mayakkam Enna has been his best work. Mariyaan is where he raises the bar and stuns everyone yet again. Rarely does small built actors succeed at portraying characters with heroism, Dhanush does it with ease and grace. He is setting his standards high with each film, I wish he manages to live up to the expectations in films to come. Parvati was the apt girl for the role of Panimalar, beautiful, talented and sensuous. She manages to perform almost on par with the two national award winners. The chemistry between Mariyan and Panimalar is brilliant. Salim Kumar's as Panimalar's father had very little to do, but has made an impression for sure. The dubbing for Salim Kumar though falls short, maybe we feel this because we have been listening  to his original voice over the past decade. Vinayakan also performs at his best playing one of the antagonists. The rest of the cast fails to make an impression on the viewer. 

Bharat Bala, When the film was announced i felt I knew this name. I Google-ed and found out that he was the one who directed AR Rahman's famous Vande Mataram video. I wonder what took him such long time to direct his first film in mother tongue.  He is brilliant as the director but falls slightly short as a screenplay writer. Bharat Bala is a gem of a director and is truly a gift to Indian Cinema. Eagerly waiting for his next directorial venture. The cinematography is what the film is all about, I haven't seen such a visually pleasing film in years. You would agree once you watch the film.  Vivek Harshan's editing is brilliant and lives up to his name. 

AR Rahman is back to his best with Mariyaan. The BGM's were top notch, but at times the cinematography, direction and performances are so intense that you might miss the beautiful score by ARR in the background. For the first time i felt that the direction and cinematography of songs is on par with AR Rahman's beautiful music, which is no simple feat. When the album was released i loved just three songs 'Netru aval', 'Nenje Yezhu', and 'Innum konjam', after watching the film you will fall in love with all the songs. 

If you are expecting an out and out survival-hostage-escape genre film, chances are that you will be disappointed, Mariyaan is more a love story, a beautiful one indeed. If it hadn't been for the mediocre performances from the cast that played the terrorists, who couldn't match up to Dhanush's brilliance, and a slightly less detailed screenplay in the second half Maryan could have ended up a flawless film. I would love to write more on the film, but it would just spoil the fun you have while watching the film. I suggest you watch the film as a viewer and a not as a critic, you will end up loving it. Being a critic is fine if you ask me, but never be a Rajeev Masand.

Bottomline: Go for it ! Don't Hesistate. Because if you miss it, chances are that you will regret not having watched it at a theater after the DVD is released.

Thursday, July 18, 2013

' It's a Wonderful Life ' - another James Stewart classic

Its a wonderful life James Stewart India
James Stewart as 'George Bailey' in It's a Wonderful Life.

It was recently that i happened to watch two brilliant Alfred Hitchcock classics, Vertigo and Rear Window both starring James Stewart as the protagonist. While Vertigo and Rear Window are Hitchcock masterpieces, one can't simply ignore James Stewart's brilliant performances in the lead roles. He took the films to another level and it is hard to imagine any other actor reprising those characters. It was my attempt to watch more James Stewart movies that made me watch It's a wonderful life(1946) , a film by Frank Capra. 

Films are the director's brainchild, but this film I feel is an out and out James Stewart classic. He as George Bailey is perfect, note the maturity he brings to the role at each stage of George's life from his teens to being a middle aged family man. I still consider Vertigo and Rear Window to be several notches above It's a wonderful life, and if it wasn't for Stewart's exceptional performance as George the film would never have received such recognition.

The film is about a middle aged family man on the verge of committing suicide because he faces money debt and is tired of living a life that he never wanted. A guardian angel is being sent from heaven to save George from giving up his life and to make him understand it's value. The film paces slowly showing George's life from his childhood to the day he decides to give up his life. Over his life he has influenced the lives of many people around him. George longs to go places, dreams of making buildings and getting far away from Bedford falls as possible. 'I am shaking the dust off this crummy little town off my feet' he says at one instance. George's father dies and he has to take up the responsibility of 'Bailey Bros Building & Loan Association' and save it from going to the wrong hands. George who still longs to go after his dreams, sends his brother to college hoping that he could pass the baton to his brother after he returns back from college. George again finds himself in a state of distress when his brother returns married and already engaged with another job. He is frustrated, but keeps it within himself. George falls in love and marries Mary and they have kids. He repeatedly tries to leave Bedford many times but fails. Meanwhile he helps a lot of people in Bedford, builds and lends them money to build houses. 

George soon finds himself in a situation where his uncle misplaces 8000$ of the company. George is frustrated and he starts to show his frustration to his children and the people around him.  He tries to seek help from Potter, a rich landlord and the antagonist in the film. Potter denies to help, and George decides to commit suicide in order to pay the debt the company faces from the insurance amount his family receives. This is when the guardian angel sent from heaven, Clarence appears and saves him from suicide and later shows him what life in Bedford would have been if George hadn't existed. The rest of the film is just brilliant, Clarence shows what George meant to the people around him and how he has touched the lives of many. It is this part of the film that takes it to another level. 

We all plan our lives, and very rarely it goes as planned. Blessed are those who get all they had wished for, and often we get frustrated when things don't go as planned. Life is a precious gift, You have to respect and value it. People who have been successful in life have always courageously faced challenges. This is the perfect film to watch when you are down. The last line of the film is what i loved the most.

No man is a failure who has friends.
I am glad that i watched It's a Wonderful Life. Vertigo and Rear Window could be the best films he acted in. But this film is where the actor in him overpowers the screenplay and the direction. This is strictly my opinion. If you haven't watched it yet, i suggest you do soon. God bless YIFY. :)

Friday, June 21, 2013

Prithviraj - An actor who has earned and deserves your respect

Prithviraj
I thought of writing an article on Prithviraj, and how he has evolved over the years after I was done watching Mumbai Police. The way he has shed his alleged arrogant image, the way he is now an ambassador of Malayalam cinema in India, the maturity in choosing scripts and the guts to take up roles that some actors would stay away from. The Prithviraj we know today is an educated, handsome, intelligent, talented and successful actor who has a very vast and fruitful acting career ahead of him. I wouldn't say Prithvi is the best young actor in Malayalam cinema at present, but he is someone who has over the years understood what his strengths are and has successfully used it to best results.

The first movie I watched of Prithvi was 'Nandanam', He was perfect for the role and showed maturity in portraying someone older than him at the age of 20. I felt even greater respect for Prithvi after I happened to watch Unni Mukundan enact the same role in the tamil remake of the film 'Seedan', the difference was like day and night. Nandanam, a female protagonist film was widely accepted by family and female audience. The film won many accolades including the state award for best actress for Navya Nair. Prithvi's talent though not lauded was noticed by other film makers. Suddenly Malayalam cinema had a young handsome hero other than Kunchakko Boban, directors and producers decided to cash in and Prithvi signed quite a few films. The films that followed bombed at the box office and most of them were made by mediocre filmmakers like Vinayan and AK Sajan. Prithvi finally got some recognition with 'Swapnakoodu', where he played the lead as an arrogant Casanova. The film was a hit but the success was credited mostly to the cast that included  Prithvi, Kunchakko Boban, Meera Jasmine, Jayasurya and Bhavana.

After 'Swapnakoodu', came a really good film 'Ammakilikoodu' starring Prithviraj in the lead role directed by then debutant M.Padmakumar. I still consider this as one of Prithvi's best performances taking in consideration his age at that time. The film failed to impress moviegoers, which i feel is because of the new director tag that came with the film and the quality of Malayalam cinema at the time. After Ammakilikkoodu came Lohitadas directed 'Chakram', a film initially scripted for Mohanlal in the lead, and even a few scenes were shot with Mohanlal, Dileep and Vidya Balan. The project was dropped after some differences between the cast and the director, It was later that Lohitadas choose Prithvi to fill into Mohanlal's shoes. The move failed and the film though good bombed at the box office. After Chakram a series of bad films followed after Prithvi started doing films with directors like Vinayan more often than before. 2005 started good for Prithvi as his debut in tamil as villain in 'Kanakanden' was widely appreciated. Later that year came more good films like Ananthabhadram and a cameo appearance in 'Achanurangatha veedu'. Though most of his films did decent business, people still didn't consider him a bankable star. 

2006 was the year fortunes changed for Prithvi, with Laljose directed 'Classmates'. I was in school back then and i still remember preferring to watch Keerthichakra over Classmates, while few of my friends took the dare and went for Classmates, a film with mostly newcomers. They later told us the film was brilliant and that there were very few people at Cinemas on the first day. Word of mouth publicity helped the film and soon theatres were packed with crowds. Many people had to return without tickets. The film was the first blockbuster of Prithvi's career. Still people credited the success to the vibrant cast of the film. Prithvi also did Vargam the same year, a modern day adaptation of IV Sasi-Ranjith-Mohanlal classic 'Devasuram'. The film opened upto mixed responses with many people claiming it to be a bad adaptation of the classic, while some lauded the attempt by M Padmakumar. Then again later that year came 'Vaasthavam' which is one of his best works till date. The film fetched him the state best actor award for his portrayal of Balachandran, a corrupt politician. In 2007 Prithvi started off with 'Mozhi' in tamil, which starred him opposite Jyothika and the film was a super-hit, Prithvi received praise for his role as a happy-go-lucky musician in the film. Prithvi soon formed a bond with Prakash Raj who later casted in his productions like Abhiyum Naanum and Vellithirai. 2007 was a year to forget for Prithvi except for Chocolate, which saw good collections from theatres across the state. 2008 started off with the role of Naxal Joseph in 'Thalappavu', directed by actor turned director Madhupal. Prithvi did justice to his role in the film, but was overshadowed by Lal as constable Nanukuttan Pillai, who won the state award for the role that year. 2008 was also the year that Prithvi rejoined with Ranjith after a gap of 6 years for 'Thirakkadha', where he played second fiddle in a film that had Anoop Menon in the lead role. 

2009 was a year of flops and only Puthiyamugham and Kerala Cafe managed to do good business. Puthiyamugham posters during it's run came with a tagline 'Superstar Prithviraj', which didn't go well with the masses. This was also the time that Prithvi was highly criticized for his interviews. I remember seeing him in a lot of interviews, His confidence and outspoken answers were often mistook for arrogance and disrespect to senior actors in the film industry. People started labeling him as an arrogant actor, soon more people followed and a majority of people criticized him and the media added fuel to the fire. Having seen a few of his interviews, i never felt him to be arrogant instead i felt that he was being frank with the questions being asked to him. We malayalees are really cruel when it comes to making fun of others, we always find someone to pick on,  make fun at and find joy doing so. Once we had Prithvi, then we had Sreesanth, then came Silsila Harishankar and at present we have a Santosh Pandit. Sadly Prithvi was once at the receiving end of all this and faced a lot of abuse over social media. Everything he said or did was judged against him. Having said that i have felt Prithvi to be a bit more cautious and diplomatic while giving interviews in other language medias. Prithvi in a few interviews have spoken how people asked him to change the way he spoke, the way behaved and the way he conducted himself before others. I find this to be very cruel, it is like asking someone to lose their identity, and whoever in the industry it maybe who asked him to do so should feel ashamed.

Coming back to his career, 2010 again wasn't a lucky year for him when films like Thanthonni released, which did little good to his image off screen with him playing an arrogant and spoilt youth. Then came Pokkiri Raja, which i consider to be a crap though it did collect quite a few. The latter part of 2010 bought luck to him as he was cast in one of the lead roles of a Mani Rathnam movie which had Vikram as the protagonist and Prithvi as his antagonist. The film had Aishwarya Rai playing the female lead opposite him and Prithvi's character though short was appreciated by the critics.

2011 was a very important year in Prithvi's career. It was the year that he got married and he ventured into producing films. The year started off with 'Arjunan Sakshi', a film from Passenger director 'Ranjith Shankar'. Arjunan Sakshi opened up to mixed reviews, but having watched it i found it to be good enough. Then came 'Urumi' directed by Santosh Sivan and produced by August Cinemas, a production house by Prithviraj and Shaji Nadesan. The film is touted as the second most expensive movie in Malayalam cinema and managed to receive profits upon release. Then came the best film of the year that Prithvi starred in, City of God by Lijo Jose Pellissery. I am not sure how the movie fared, but little of it was heard during the time of release, i watched it when it came on TV. Veetilekulla vazhi, a national award winning film and Indian Rupee, two good films made sure that 2011 was fruitful for Prithvi. Prithvi also produced by Ranjith's Indian rupee which was awarded the national award for best producer. His marriage also happened the same year and was a very private affair and was known only to very close relatives. The media came to know about the marriage only after it was over. The private marriage function also made some media people and critics unhappy, again Prithvi was the center of attention, the epitome of arrogance. The famous Brittas interview also happened the same year, sadly for Prithvi something his wife said about him speaking English fluently was again credited to his so called arrogant behavior. 

Prithviraj happened to be part of a National award winning Malayalam film 'Manjadikuru' by Anjali Menon in 2012. I suggest you watch Manjadikuru as soon as possible, if you haven't yet. Then came Aakashathinte niram, a film i am yet to see which received many accolades and was shortlisted for an academy award nomination. Two good short roles in Bachelor Party and Molly Aunty Rocks was followed by his bollywood debut 'Aiyyaa', a film that i wished he hadn't done. 'Aiyyaa' also starred Rani Mukherjee and was a disaster at the box office. But bollywood had already recognized the talent in Prithvi and was signed by Yashraj films for 'Aurangazeb' which released recently.

Ultimately it was the last quarter of 2012 and this year that made my respect for him grow manifold. Starting from Ayalum Njanum Thammil, Celluloid and Mumbai Police with three good directors. Each film bettering the previous one. Prithvi slowly is choosing scripts carefully and is also directing the remake of 'Ayalum Njanum Thammil' in Bollywood and it is rumored that Amitabh Bachchan might do the role of Prathap Pothen in the original. From doctor Ravi Tharaken to JC Daniel to Antony Mosses, they all have been unique and different. These three characters have earned him a place in my heart. 

So what i intend to say is that, it is high time that we start respecting this actor. He has rightly earned respect and is giving his best to the films he is working on. Let us put an end to the nicknames, the jokes and start giving him the respect he rightly deserves. I hope Prithvi stays the same being the confident and outspoken actor who doesn't sacrifice his identity just because some people want him to.




Saturday, January 5, 2013

Five AR Rahman tracks i could listen all day

AR Rahman

As AR Rahman celebrates another birthday, i feel blessed to have been born in an era where he lived and composed music. I have come up with five ARR tracks that i love the most. 


1)  ' Luka Chuppi ' - Rang De Basanti
    Artists: Lata Mangeshkar and AR Rahman
     Lyrics: Javed Akthar

This is for me the best ARR composition ever. A slow melody you can call it, The vocals of Lata Mangeshkar and AR Rahman stands out in this song. The song symbolizes the relationship between a mother and her son, the lyrics by Javed Akthar is simply brilliant and adds to the charm of this song. I feel that this is the best among songs that have been sung by Rahman himself.




2) ' Idayam Idam Mariyathe ' - Jodhaa Akbar(Tamil)
      Artist: Karthik and KS Chitra
      Lyrics: Na Muthukumar

 'In Lamhon Ke Daman Mein' is my favorite track in Jodha Akbar and it was on Youtube that i came across the Tamil version of this song sung by Karthik and KS Chitra. Felt like i was listening to a whole new song and the lyrics by Na Muthukumar is stunning. The lyrics no doubt is the winner here, Karthik and Chitra's vocals takes it to yet another level.  It is really sad that this song went unnoticed, a very few people know that this song exist. Just listen once and you will instantly fall in love with it.




3) 'Newyork Nagaram' - Sillunu oru Kadhal
     Artist: AR Rahman
     Lyrics: Vaali

Most people would prefer 'Munbe Va' over 'Newyork Nagaram' when it comes to the album 'Sillunu oru Kadhal', definitely not me. I was once so addicted to this song that i would listen to it for hours everyday. AR Rahman's voice again adds magic to this song, Just can't imagine anyone else singing this song. Vaali's lyrics is awesome and is in par with the music. I found an English translation of this beautiful song's lyrics.



4)  'Nadhiye Nadhiye' - Rythm
      Artist: Unni Menon
      Lyrics: Vairamuthu

Rythm is one of the best albums ever from AR Rahman, every song is unique and stands out in it's own charm. Whenever Unni Menon and AR Rahman joins for a song, magic happens. 'Nadhiye Nadhiye' is one among those wonders from AR Rahman and Unni Menon. Vairamuthu is at his best here.

Rythm - Nadhiye Nadhiye


5) ' Arziyan '- Delhi 6
    Artist: Javed Ali, Kailash Kher
   

A devotional number from Delhi 6 sung by Kailash Kher and Javed Ali. Never been a big admirer of Kailash Kher's voice but this changed all. I just love this song, even being 8 minutes and 40 seconds long, It is one of the most played in my iPod.



A few other songs that came close are 'Ay Hairathe Aashiqui' - Guru , 'Yeh Jo Des' - Swades, Sandana Thendralai - Kandukondaen Kandukondaen. 



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